Proliferating communication and entertainment media technologies in 19th-century England vexed the imagined boundaries between humans and machines while catalyzing social anxieties about aesthetics, attention, and distraction. We will explore both "old" (novels, paintings, sculptures) and "new" forms of 19th-century media (telegraphs, magic lanterns, and photography) as we analyze overly stimulating Gothic print media in Jane Austen's Northanger Abbey, Wordsworth's contempt for popular entertainments in The Prelude, and the inversion of imperial consumption in Bram Stoker's Dracula, a novel mediated through characters' telegrams, diary entries, and phonographic recordings. Authors studied also may include: Dickens, Christina Rossetti, Doyle, Kipling, and Vernon Lee.